Renaissance Fashion - Women's Clothing in Elizabethan England

Queen Elizabeth I


The Elizabethan period in costume design refers to that time encompassed by the reign of Queen Elizabeth I (from 1558 - 1603) during the Renaissance. The daughter of King Henry VIII and Ann Boleyn, Elizabeth became one of the world's most famous monarchs. The style of clothing and fashions of the Elizabethan era are distinctive and striking, easily recognizable today and popular with designers of historic costume.

As in the Middle Ages, the fabrics used to create garments of the Elizabethans were wool and linen. Clothing worn by the upper classes also included silk, cotton, and other imported fabrics. Fashions worn by the elite inspired the dress of lower classes and rural women, though the fabric, weave, and embellishments improved with economic status.

The clothing worn by Elizabethans look heavy and over done to many of us today. But weather in England during the period was cool and wet as northern Europe shivered in the grip of a mini Ice Age. So the heaviness of Elizabethan fashion was out of necessity, yet is remembered as romantic and beautiful, and still popular as seen at the Renaissance Festivals of modern times.

Elizabethan England - Historical Background

Elizabeth Tudor, daughter of Henry VIII and Ann Boleyn ascended to the throne of England after the death of her half sister Mary (daughter of Henry VIII and Catherine of Aragon). Henry VIII had assumed the role as leader of the Church in England when the Catholic Pope refused to grant Henry an annulment from Catherine of Aragon. During those difficult times, the idea of freedom of religion was not on anyone's mind. Religion was a state establishment so the fight was over which religion would be the state religion.

England, at the time, was still basically a feudal society. Most people lived in the country. In Elizabethan family based culture, the nuclear family, servants, and apprentices lived and worked in close proximity. While women were subservient to men and performed the usual household chores, their work also included the care of livestock and kitchen garden; assistance at harvest; the making of cheese, butter, candles, and soap. Women commonly had basic medical skills, spun wool, and knit.

Employment opportunities included domestic service, laundry and seamstress work. The wife of a craftsman might assist in the shop, the running of a business, or take over the business if widowed. Women earned money by selling produce, eggs, butter, spun wool, and other items made or produced at home.

The population exploded during Elizabeth's reign despite widespread disease including several outbursts of plague. Irish troubles, war with Spain,and a growing underclass of unemployed poor added to Elizabeth's challenges. But in a time when women were subservient to men, a woman ruled a great and powerful nation.


An example of damask - Italian, 14th century
An example of damask - Italian, 14th century

Elizabethan Clothing - Textiles

Linen and wool were the most common fabrics used during the Elizabethan era. As in the Middle Ages, people wore linen undergarments next to the skin. Linen, made from the flax plant is comfortable, cool, and easy to launder. In a time when people rarely washed their clothes, linen could be washed and became softer with use.

  • Wool keeps the body warm in cold weather, and cool in warm weather. Wool produces long lasting fabrics, takes dyes well, and does not absorb moisture.
  • Fulled wool, or heavily felted wool is tough and durable. Felted wool, that is wool that is washed to shrink, was often so dense that it did not need hemming as it would not unravel.
  • Both wool and linen appeared in finer weaves for the upper classes. Linen, imported from France and the Low Countries, appeared in heavy or finer weaves with Lawn being the finest weave.
  • Imported cotton was used to create fabrics and blended with linen to make Fustian.
  • For thick, dense fabrics, canvas was made of hemp.

The luxurious fashions depicted in Elizabethan art work most often reflect the clothing worn by royalty, the nobility, and the elite. The upper classes wore garments made of silk, satin, velvet, damask, and taffeta, in addition to wool and linen. Finer linens were bleached in the sun, embroidered, or block printed. Fashionable embellishments included braiding, borders, embroidery, lace, guarding (ribbon trim), and gems or pearls sewn onto the fabric.

  • Leather was used to make shoes, gloves, hats, belts, and men's doublets and breeches.
  • Colors came from natural dyes that often faded, so even richly colored garments became muted over time. Brown and gray, cheaper dyes, were the obvious choice of the lower classes. Blue, another somewhat inexpensive dye is associated with servants and apprentices. Blue fades easily, so a light shade was predominant.
  • Black, an expensive to make and very fashionable shade, popular in Spain, shows up often in royal portraits of Elizabethan England, especially for men.
  • Two shades of red occur frequently in Elizabethan clothing. A russet red, made from the plant called madder created a warm, homey hue, while a brighter crimson red, made from imported dyes was reserved for royalty.

Elizabethan Style - The Layered Look

Undergarments made of linen were easy to wash and often the only garments that were laundered. Both men and women wore similar under shirts, much like the under tunics of the Middles Ages. Women's under-gowns, or smocks, reached the knee or fell full length.

A kirtle was a long, slightly fitted dress without a defined waistline, a simple garment similar to those worn during the Middle Ages. On top of this, a woman wore a bodice, several layers of petti-coats (or skirts), and a cloak.

Layers were needed for comfort in the chilly, damp climate of Elizabethan England.

Elizabethan Costume - V Shaped Bodice, Ruff, and Split Skirt with Matching Sleeves


The Elizabethan Bodice

A bodice is a close fitting garment for the upper body. Elizabethan bodices were quite stiff, severe, and almost masculine in a shape that presented wide shoulders, and a small waist like an inverted triangle. Some bodices drew into a narrow V shape at the waist as pictured on the right.

Necklines changed over the years. While low necklines were popular at the beginning and toward the end of Elizabeth's reign, necklines were high in the middle years.

Young, unmarried women wore lower bodice necklines. Often, a high necked smock, worn with a low necked bodice, created an interesting contrast between the heavy bodice fabric and the lighter muslin or linen of the smock.

Bodices often featured decorative tabs called pickadills at the waist. Also, with embellishment by rolls or wings at the armholes, the same bodice could appear quite different with detachable sleeves for variety.

The fashionable elite used whalebone (baleen) stiffening, willow wood, or steel in their bodices. A busk was an extra piece used for stiffening and was made from wood, bone, or ivory, and attached by a ribbon at the top. The tiny ribbon often seen today at the top center of a bra is a last reminder of the busk.

The flattened bosom and stiffened upper torso restricted upper body movement so was limited to the idle elite. Working women and commoners would have been unable to function with such restriction. Front laced bodices (so popular with Renaissance Fair attendees) were worn by working and common women. Back laced bodices were limited to women with servants. Bodices were fastened by lacing or with hook and eye.

Detachable sleeves added pizazz and variety to a bodice (as mentioned above). The wide, cuffed trumpet shaped sleeves of the 1540's - 1550's gave way to a narrower Spanish style sleeve. A high, wide appearance with slashed upper sleeves evolved int shoulder loops, pads, and the elaborate shoulder rolls of the 1580's.

False sleeves created an elegant style when elongated at the back to drape down to the floor.

Eizabethan Woman Wearing Lace Ruff


The Ruff - An Elizabethan Collar

One of the most distinctive elements of Elizabethan fashion is the exaggerated collar called a ruff.

Early on, a gathered neckline produced a simple ruffle at the neck. Later, a separate piece of detachable ruffle could be tied around the neck. The ruff became more elaborate and eventually took on the gargantuan proportions that framed the face.

In 1565, the addition of starch created the ability to increase the size and height of the ruff. By 1580, ruffs became so massive, they required a wire framework for support. Ruffs were made of fine muslin or lace, or muslin trimmed with lace and often paired with matching cuffs at the wrist.

Late Elizabethan fashions included a falling band which was a separate, detachable collar made of lace or embroidered linen.

Common women and country women often wore a chin cloth to protect their faces and skn from the sun and wind. They also wore a kerchief over their shoulders.

Elizabethan Clothing - 2 Londoners and a Country Woman - the Lady on the Left is Wearing a Coif on her Head, the Lady on the Right is Wearing a Kerchief


Queen Elizabeth I wearing a wheeled farthingale


Elizabethan Skirts and the Farthingale

Elizabethan style demanded a tight upper body paired with a voluminous lower body. A heavy outer skirt split open into an A-line shape in the center, revealed an attractive under-skirt or petti-coat. Sometimes the exposed under-skirt or forepart was paired with matching bodice sleeves.

While cool weather created the need to wear several layers of petti-coats for warmth, skirt size became an extreme fashion trend.

The Farthingale was the hoop skirt of Renaissance costume. Beginning as a padded roll to extend the width of the the top of the skirt, it evolved into a hoop skirt - circular strips of whale bone (baleen), wood, or steel were inserted horizontally into the fabric of an under skirt.

Originating in Spain to create a dome shaped skirt, a farthingale held skirt fabric away from the legs and offered ease of movement. A lower class woman might wear a padded roll for fashion as well as convenience.

The wheel farthingale produced the exaggerated, huge skirt pictured at the right.

Skirts often featured hems or borders that could be easily replaced if worn out or soiled.

A belt or 'girdle' functioned as a hanger for carrying items such as purses and bags for the elite and common people of both genders.

Elizabethan Shoes and Footwear

Shoes of the Elizabethan period were generally blunt toed and flat, and made of leather or fabric. Women's dress shoes made of silk, velvet, or brocade were often decorated with embellishments.

Early Elizabethan slip-ons gave way to laced or buckled shoes.

Most shoes of the time were made the same for both feet. After wearing, the leather or fabric molded to the shape of the foot.

Platform or high heeled shoes originated for convenience. Pattens were tie-on over shoes that held the foot up off the ground, protecting the shoe from dirt, mud, or debris. Similarly, chopines made of cork or wood lifted the foot up away from debris or dirt in work places, on roads, or in the street.

The Renaissance introduced the wearing of high heels for vanity and style. Mary Tudor (1/2 sister of Queen Elizabeth) wore high heels to improve her stature and appear more regal.

Woman Wearing French Hood


Queen Elizabeth in Attifet and Ruff


Elizabethan Flat Hat


Woman Wearing Coif


Elizabethan Hair, Hats, and Face

Women wore their hair long when young and unmarried, often adding headbands or circlets of fresh flowers. After marriage, women pinned up and covered their hair. Fashionable women added hair extensions, golden chains, pearls, or feathers int elaborately braided or twisted hair styles.

A coif was a close fitting cap made of linen, sometimes referred to as a Mary Stuart cap (after Mary Queen of Scots) who wore one in a famous portrait. A Woman might wear a hat on top of a coif.

Early Elizabethen women wore a French hood, a fabric bonnet shaped with wires, a style introduced to England by Elizabeth's mother, Ann Boleyn. The half moon or crescent shaped style was a glorified head-band with a veil attached at the rear.

The Attifet, similar to the French hood, dipped in the center to create a heart shape, often decorated with the addition of lace.

A caul was an attractive hair net or snood, worn simply or festooned with decorations such as pearls or beads.

Between 1568 - 1574, Sumptuary laws (an old fashioned method of keeping people in their place by regulating attire) required all women, unless gentle women, the wives of nobility, to cover their hair.

A kercher or kerchief, a triangular piece of muslin tied around the head and was worn under a hat.

Women also wore pillbox hats, flat hats (like a beret), and small brimmed hats similar to men's hats.

The ideal Elizabethan face was pale and sometimes highlighted by the application of cosmetics - rouge for the cheeks and a bit of color on the lips. Occasionally, eye lids were tinted. Cosmetics were used by the fashion elite and were lead based products.

Perfume was popular for both men and women and almost necessary at a time when bathing was a rare occurrence.

(All of the pictures used in this article are from wikimedia commons)

Children were dressed as adults for special occasions and in portraits.
Children were dressed as adults for special occasions and in portraits. | Source

Elizabethan Costume Design - Click to Buy Books or Patterns

Patterns of Fashion 3: The Cut and Construction of Clothes for Men and Women C. 1560-1620
Patterns of Fashion 3: The Cut and Construction of Clothes for Men and Women C. 1560-1620

This book had lots of favorable reviews and is often called the best of its kind, offering information for the advanced seamstress or one who has some understanding of pattern design.


Books consulted:

Costume and Styles: The Evolution of Fashion From Early Egypt to the Present by Henny Harald Hansen: E.P. Dutton & Co.

Daily Life in Elizabethan England, by Jeffrey L. Singman; Greenwood Press

Encyclopedia of Clothing and Fashion; edited by Valerie Steele: Scribner Library

Encyclopedia of the Renaissance; Scribners

For more reading on Queen Elizabeth's fashions, check out

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Comments 15 comments

callumfox 5 years ago

Very in-depth article, almost as layered as an Elizabethan dress. Love all the portraits as well. The family portrait at the end is especially charming. All the children are dressed like miniature adults! It's amazing how the fashions have changed.

Dolores Monet profile image

Dolores Monet 5 years ago from East Coast, United States Author

callum - when you really look around, today's children are dressed pretty much like adults too. Thanks for the lovely comment!

Taylorwise profile image

Taylorwise 5 years ago from Austin, TX

I've been doing some research about 'steampunk' fashion and this is such an inspiration. Great great hub!

Dolores Monet profile image

Dolores Monet 5 years ago from East Coast, United States Author

Taylorwise - Ha - I have recently become interested in steam punk myself. But steam punk is actually based on Victorian fashions (I am pretty sure) and not Renaissance fashion. Thanks!

Pinky Davo 4 years ago

Hi Dolores! I loved this hub on Renaissance fashion. I am always fascinated by how fashion reflects the general attitude of its time; and Elizabethan fashion certainly IS a reflection of its time. I have this to say though, I'd imagine that the common woman's attire would have been more flattering to the female body than a noblewoman's. Ruffs and farthingales as well as bodices looked...unnatural. But then the standards of fashion would have been radically different.

Dolores Monet profile image

Dolores Monet 4 years ago from East Coast, United States Author

Pinko Davo - I imagine the clothing of the common folks would have been more comfortable too. A ruff looks like torture. Fashion often takes to extremes though, doesn't it? Just look at some of the shoes on the models in recent years! Thank you!

rontlog profile image

rontlog 4 years ago from England

A fabulous hub! I really enjoyed reading it.

I recently read that during this period pearls were highly valued and the most expensive items of jewellery. As a result, many of Elizabeths dresses are encrusted with rows of pearls stitched onto the fabric.

They remained popular until Louise the (?th) of France became king (The Sun King). He had a love of diamonds and they became more fashionable that pearls. That is why today, diamonds are more expensive than pearls.

Dolores Monet profile image

Dolores Monet 4 years ago from East Coast, United States Author

rontlog - the idea of all those pearls stitched into the fabric - how beautiful! But the concept that diamonds are so expensive (I think) is because the market is controlled and the amount of diamonds is artificially limited. Thanks for dropping by!

DzyMsLizzy profile image

DzyMsLizzy 4 years ago from Oakley, CA

No wonder they thought they were being rushed if they had "only" 2 hours to get dressed!

Well done!

We played at a Ren Faire with a music and dance troupe many years ago, when my kids were young. Our costumes were simple: we were 'commoners.' ;-) It was fun play-acting, and rolling our "rennaissance" cart with our instruments through the throngs yelling, "Maaaake--Waaaay--aaay!!"

Dolores Monet profile image

Dolores Monet 4 years ago from East Coast, United States Author

Hi MsLizzy - that must have been wonderful. And I like the commoners clothing best for Renaissance Fairs - it is much more simple and comfortable than the clothing of the rich.

Textiles/History Prof 4 years ago

Hi, I'm not sure why this image is labelled as damask...? These look like brocades to me. Damask is basically just one color with the patterns made solely by the contrast in light reflection from different weave structures.

Dolores Monet profile image

Dolores Monet 4 years ago from East Coast, United States Author

Hi, Textiles - I put the image up there as it is labeled "Italian polychrome damask, 14the century," found while researching fabrics. I thought damask was one color too, but the one color seems, from reading, to be a more modern concept. The difference seems, to me, to be that damask is reversible while brocade is not. And, I am thinking that brocade has a bit more shine to it than damask.

Thank you very much for your comment. I appreciate your input.

Paige Toelke 3 years ago

I just took a 20th Century Designers class, so this was a good source of further information. Very well written, thanks for publishing!

Sada 3 years ago

There's some great information here, but the photo of the damasks should be changed (or noted as only an example of what damask looks like) as it is misleading. It's a picture of 14th century Italian damasks, not English Elizabethan era ones.

Dolores Monet profile image

Dolores Monet 3 years ago from East Coast, United States Author

Sada - thank you and thank you for pointing out the damask!

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