Maurice Evans' Crowning Work
At a time when controversy over Black women’s hair is alive and well in America, Artist Maurice Evans is putting the finishing touches on his ongoing series entitled Crowning.
His latest series of work is about how Black women wear their hair.
“A woman’s crowning glory is her hair.”
The Crowning series consists of various single portraits of Black women, either wearing head wraps or natural hairstyles. Each portrait is titled with an African name accompanied by its literal meaning. Examples include “Ayotunde” (Joy Has Arrived), and “Gugu” (A Precious Person).
Evans intentionally gave African names to each portrait to convey the messages “This is where you come from” and “She [Black women] is everything.”
In creating Crowning, Evans turned to a technique called scratchboard, which involves treating a wooden surface with India ink, then scratching out the image.
“The use of India ink conveys her blackness,” Evans said.
On various portraits, he used paper with bright colors and bold designs for headwraps.
Evans used the headdresses in some of his portraits to point to 18th- and 19th-century American history when women of color turned to wearing headwraps because they were ordered to cover their hair in public.
Apparently, in the 1800s, particularly in Louisiana, Black women were wearing their naturally high hairdos so beautifully with jewels and feathers, that they provoked jealousy and threatened the social stability of the area. Because of this, there were actual laws put in place banning Black women from wearing their hair in public.
While the law was meant to distinguish women of color and to minimize their beauty, in the end, because they used elaborate designs and bold beautiful fabrics for their head wraps, they became even more beautiful and alluring.
For much of American history, Black hair has been considered bad hair, and Black women have felt pressure to straighten it to look presentable.
During the 1960s and '70s, having natural Black hair was a political statement. And today, with abundant hairstyles such as locks, braiding, and hair extensions, Black women often encounter unwanted comments and adverse reactions to their hair.
Evans’ response to all this, in creating the beautiful portraits in Crowning, is “This is who you are” and “The crown represents pride, beauty, social status, and so much more.”
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Evans uses the series as a counterbalance to racism in his own way.
Evans has been an artist for as long as he can remember. His father was a drummer and military man. When Evans was four years old, one of his father’s bandmates, who was also stationed at Moody Air Force Base in Valdosta, Georgia taught him how to play guitar.
Meanwhile, his mother, who was a favorite teacher at school, was displaying his artwork early on and using it for her school bulletin boards.
“There wasn’t a time I wasn’t an artist,” Evans explained.
As far as his drawing goes, Evans remembers being especially inspired as a kid while living at Moody Air Force Base. He recalls seeing his play friends’ drawings of aircraft carriers: “They drew stick-men for people in their drawings below the carriers, but I still thought they were cool.”
While Evans went on to study at The Art Institute of Atlanta from 1986 to 1988 and is known as a painter, he also has a degree in Fashion Illustration and plays and produces music.
As a mixed-media artist, Black issues and visuals have always been very important to Evans.
“Black women in particular are constantly bombarded with imagery that tells them they are not beautiful or worthy,” he said.
Further, he feels Black women need more attention in order to begin healing.
"Crowning is a celebration of Black women's beauty."
Evans presents his artwork privately through appointment either at his studio in Lawrenceville, Georgia, or at the homes of prospective buyers. Publicly, he shows his original pieces at art shows throughout the country. You can visit his website to view his collections. If you can’t afford to purchase one of Evans’ original pieces from the series Crowning, he also has made available for purchase somerset canvas reproductions and high-quality digital prints that can be purchased online.
You can also view the Crowning series by visiting his Facebook page, The Art of Maurice Evans. Original pieces can be purchased online by clicking on the provided links on the Facebook page.
This content is accurate and true to the best of the author’s knowledge and is not meant to substitute for formal and individualized advice from a qualified professional.
word55 on August 02, 2016:
Hi Lauren, this is a very artistic article about your artist friend and hair of black women. When I was in grammar school I really admired the ways the girls wore their hair of various styles. I thought female blackness was the most beautiful thing on earth. Now, all women and their cultures matter. Sisters need to be more spiritual and stay with spiritual brothers more than anything while displaying various hairstyles and beauty.
Ann810 from Sunny Cali on July 06, 2016:
Hi, the art is inspirational of Black women. My daughter's are artist also, they said it's time consuming drawing Black women's hair, and I told my daughters that it's time consuming actually doing Black women's hair. God made us Black women with the high maintenance hair, which is a masterpiece.
Grace Kisa on June 16, 2016:
A well stated article of a prolific American artist